11 Second Club - January Entry Progression - “Cinematic Inspiration”


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Internship Work #4

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  [time taken: 1 day] For this assignment, we were given another butterfly shot to do. We were given a small description, and had to base our shot on that. The description was 'A butterfly on a flower with a confused mindset is ready to fly, flapping the wings slowly'. Despite being told to do only one 3-second shot, I added another one at the beginning to show the butterfly's motivation for wanting to fly in the first place, that being, seeing his fellow butterflies fly off somewhere. The same compositing/editing tricks as seen in the previous internship work was used here as well to achieve this. I was also told to use a more slower timing for the butterfly's wings, to show his contemplation and realization better, which is what is shown here in the final animation.
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Internship Work #1

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(time taken: 2 days total) For the first work I had to do for my internship at Image Creative, I had to animate a butterfly going from one place to the next. The butterfly had to think for a moment before it landed at the second place. I used Truong CG's 'Boxy Butterfly' Maya rig for the shot, as it was the only butterfly rig that was readily accessible to me. Prior to this shot, I had created two test animations using the rig: a flying cycle, and another basic shot. With these two tests, I had learnt how the rig worked, and how I can use it. Butterflies are naturally very lightweight, and fly very quickly, due to their nature as small insects. This, along with the fact that the scene was staged in such a way that we can't see the butterfly emote, presented a challenge to show the pause in thought that was required for the shot. The exaggeration and anticipation principles of animation were necessary to convey the desired feeling for the shot. The flight pattern of the ...
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Internship Work #5

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  (time taken: 1 day total) This single shot is part of a much bigger scene, involving a caveman chasing an animal. Here, we were given a different storyboard for each shot. Like the scene with the kids, we have to base each shot off of the given storyboard. This particular shot is based off of this storyboard: Here, the caveman is walking out of his cave into the wilderness. I created the scene based off of this shot, from the composition to the colour palette. I chose the Ultimate Bony rig (https://www.behance.net/gallery/17774421/Ultimate-Rigs-for-FREE) for the caveman in this scene, because of its resemblance to the figure in the storyboards. I had to find reference for the caveman in this shot. But since there aren't any easily available references of actual real life cavemen, I had to look elsewhere for inspiration for this animalistic ancestor. Eventually, I settled on videos of monkeys and primates, our closest relative, walking around, mixed in with artistic interpretation...
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